Drawing informs my broader practice of sculpture, installation and performance. As a studio practice, it provides a necessary contrast to the often site- specific processes of three dimensional making.

I use collage techniques with recycled materials and surfaces to make objects put together without hiding papery-ness or edges.

This process facilitates my thinking and enables me to unpick, test and develop the themes that recur throughout my practice; spatial relationships, power relationships, and states of being, making works that operate at different visual scales so they can be read at cellular, human or cosmic registers.